Guest post by Tim McNulty
Longtime Institute writing instructor, naturalist and poet Tim McNulty will travel from his home on the Olympic Peninsula to Village Books in Bellingham to read from his new collection of poetry Ascendence on Friday, November 22 at 7pm; free
These poems were written at Sourdough Mountain Lookout during the dry summer of 2003. Several lightning-sparked wildfires were burning in the heart of North Cascades National Park that summer. Natural wildfire is an vital part of the forest ecosystem. The park service decided to reactivate the historic lookout to monitor the fires’ behavior.
Sourdough Mountain lies at the heart of the North Cascades. A mile above the Skagit River canyon at the intersection of six major drainages, it commands one of the most spectacular views in the range.
When the park began looking for a fire guard who could commit to the summer fire season, friends let me know. I jumped at the opportunity. A few days later I was alone amid one the most spectacular mountain wilderness landscapes in North America.
Part of my practice as a poet is to keep an active personal journal. At the lookout I also kept a fire log in which I recorded daily temperature, wind velocity and direction, barometric pressure, fuel moisture, and fire behavior. In my personal journal I jotted notes, observations, impressions, images… During slack times in the afternoons and evenings, I worked at shaping my rough notes into poems. I winnowed and revised them over the following winter. The poems appeared in an earlier poetry chapbook and now they are part my new collection, Ascendance (Pleasure Boat Studio, 2013). The section is titled “Through High Still Air,” an obvious nod to poet Gary Snyder who served as Sourdough Mt. lookout 50 years earlier.
What follows are a few poems that chronicled my weeks among the peaks as the Northwest summer gave way to fall. Fires flared then succumbed to damp weather. A river of wildlife passed through barely taking note of me. And the stunning mountain wildness surrounded and inspired me each day.
* * * * *
I found it difficult to get to sleep my first few nights at the due to the dazzling array of stars that lit the windows all around. To convey the immensity of the experience, I evoked the image of the lookout as a small skiff anchored to a shoal in a sea of stars. The mountain wilderness that surrounded me was a microcosm of the larger “wilderness” of the heavens.
Night, Sourdough Mountain Lookout
A late-summer sun
threads the needles of McMillan Spires
and disappears in a reef of coral cloud.
Winds roil the mountain trees,
batter the shutter props.
I light a candle with the coming dark.
Its reflection in the window glass
flickers over mountains and
seventeen miles north to Canada.
Not another light.
The lookout is a dim star
anchored to a rib of the planet
like a skiff to a shoal
in a wheeling sea of stars.
Night sky at full flood.
* * * * *
I pay close attention to wildlife, and my encounters with wildlife rivet my attention. With daily visits from hawks, songbirds, chipmunks and deer, and rarer encounters with bear and weasel, the lookout was a hotspot of wildlife encounters. As a poet, I try to capture the movement and energy of these encounters in the language and rhythms of the poems.
Mid-afternoon and hawks
spiral up the thermals
from Diablo Canyon —
red-tails, Cooper’s, rough-
legs, harriers, the small
nimble “cheetahs” of sharp-shins.
Poised, compact and gracefully alert,
(Jeffers’ “intrepid readiness”)
wingfeathers rippling in the updraft,
they shoot through the notch
west of the lookout
and merge into blue over
Pierce Creek valley.
I watch with field glasses
from my mountain perch
until they vanish
against the darker blue shadows
of the Picket Range.
* * * * *
Sourdough Mountain lies at the eastern edge of the Puget Sound-Salish Sea basin. Beyond it, past Crater and Hozomeen mountains, lie the distinctly dryer pine forests and sagebrush steppe of the Columbia basin. As the marine cloud layer flooded up the Skagit River Valley and slowly engulfed the lookout, the sense was being at the far end of the ocean basin. My readings from Buddhist philosophy and classical poetics deepened the metaphor.
The End of the Ocean
High clouds at dawn
and finger tracings of moisture
in the eastern sky.
From beyond the western rim
ocean’s breath floods the valley.
Mist spills over high ridges.
One by one, the peaks
wink out. Soon, the lookout
is wrapped in blowing cloud.
Wetness drips from propped shutters.
The visible world
beyond misted windows,
an isthmus of rock and heather.
“I stood as one stupefied,”
“I looked down and saw
the clouds lay beneath my feet.
I felt as if
Clark’s nutcracker dips from a cloud,
lights on a hemlock limb
and calls: once, twice…
“No bird who flies
knows the limits of the sky,”
“no fish who swims, the end
of the ocean.”
Taste of raincloud moving past,
streams and rivers
At the near edge of ocean’s reach,
traces of older cycles:
weathered rock / wandering seas,
century-old hemlock scrub
in blowing mist, black wings
…flaps off & disappears.
* * * * *
Wherever we find ourselves, we are part of the living fabric of the biosphere. Geologic process, the hydrologic cycle, energy pathways, and wildlife migrations, are the stuff of our daily experience. For me, it’s part of the job to stay attentive to the large picture — and when the opportunity presents, to celebrate it.
Smoke from wildfires fills the valleys,
and a high veil of cirrus
dampens the morning sun.
Then a gift from Costa Rican forests —
Townsend’s warbler drops by.
Sunlit yellow face and breast,
dark Zorro-like mask,
quickly, neatly, shakes down
a subalpine fir crown
cleans his beak madly on a limb,
and takes leave south
across the Skagit,
From the lookout steps,
three thousand miles north,
I’m warmed through.
* * *
All poems from Ascendance, Poems by Tim McNulty, copyright (c) Tim McNulty, Pleasure Boat Studio: A Literary Press, New York, 2013. www.pleasureboatstudio.com
Top photo of Sourdough Lookout by Todd Burley.